Film Review 167 – Perfect Days

Watched: 22nd March 2024

Rating: 4/5 stars

   Perfect Days is more akin to slice-of-life than any kind of big, evolving drama, but it’s mesmerising. We wake up with Hirayama, watch him go about his business, feel the rhythms of his life and work as they ebb and flow away from and back to his normality. Of course there are disruptions, little forks in the river that take us away from the familiarity of the shore, but we never lose sight of it. Much of the film, when Hirayama does not have these disruptions, is spent in silence, but it’s the comfortable silence you have with a long-time friend, a silence that is not a symptom of a lack, but which in itself communicates something. I found myself wanting to watch Hirayama clean toilets forever, because he does it with such attention to detail and such genuine pride in his work. In a way, it reminded me somewhat of what I liked about The Taste of Things, another release I saw this year where much of the focus was on manual tasks – there is a pleasure to be found in a job well done, especially when you are watching someone else do it.

   What makes me vastly prefer Perfect Days, though, is the emotional weight anchoring it.  Kōji Yakusho is phenomenal as Hirayama. Like I’ve said, I could watch him work for days on end, but what I also appreciated was the subtleties of his performance, along with the subtleties of Wim Wenders’ script. There is a trail of breadcrumbs to follow through the urban jungle of Tokyo, and as the film progresses we realise that there is something in Hirayama’s past, a cloud that – like Travis in Paris, Texas – hangs over the sunshine of today. It’s never quite addressed, though enough hints are given that we can hazard a guess, but Wenders does not want us to linger in the past. We’re confronted with the here and now, the healing power of relationships, music, rediscovering your inner child and the little joys of life. Perfect Days is a beautiful work of art that takes life slowly, but takes it seriously at the same time.

Originally posted on Letterboxd on 11th April 2024: https://boxd.it/66TImx

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